THE CMNSU BLOG

Culture Industry Emma Cosman Culture Industry Emma Cosman

Popular Culture, Representation, and Ingenuity: Or Why Inside Out 2 Isn’t an Original Take on Anxiety.

Inside Out 2 gave audiences every beat of a classic Pixar film- perhaps its biggest praise comes from its genuine and ground-breaking portrayal of anxiety in a children’s film. As with any piece of popular culture, the question prevails as to whether this ground-breaking representation is truly the first of its kind to be represented, or if it’s just exactly what its cultural category denotes it as: popular.

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Pig Slop, Culture Industry, Technopoly, CMNS Alan Röpke Pig Slop, Culture Industry, Technopoly, CMNS Alan Röpke

Addictainment

Kick’s roofied mediatized cocktail of entertainment, hate speech, and radicalization demonstrates the path unregulated entertainment has ahead as technologies continue to get more accessible, and entertainment becomes even more entrenched into every sphere of life. The harmful spectacle that is more alluring, more enticing to consume. This is the process of Addictainment, the societal outlet for a violent entertainment.

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Technopoly, CMNS, Culture Industry Tatiana Rasco Technopoly, CMNS, Culture Industry Tatiana Rasco

Return to Form

We’ve witnessed a rapid resurgence of analog technology, with vinyl records and film cameras sparking revitalized interest among younger audiences. This phenomenon is a testament to our generation's collective fascination with the past, our attempt to find a semblance of authenticity or a connection to the tangible, in a vastly digitized world.

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Culture Industry, Pig Slop, CMNS, Technopoly Alan Röpke Culture Industry, Pig Slop, CMNS, Technopoly Alan Röpke

The Electrical-Umbilical Battery Status

I think my phone spends more time charging than it does vice versa. This is mentally sound. In fact, I don’t trust the battery status to just show me a green, yellow, or red to signify what my battery level is at. I want to see the exact percent I am currently operating at—how much abstract time remains for the object of my love and adoration to continue serving me.

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Culture Industry Tatiana Rasco Culture Industry Tatiana Rasco

Why I Write

“So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take pleasure in solid objects and scraps of useless information.”

- George Orwell, Why I Write

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Culture Industry, Pig Slop, CMNS Alan Röpke Culture Industry, Pig Slop, CMNS Alan Röpke

Selling Out

It really sucks that selling out is not really criticism that holds much ground these days. We live in the age of the entrepreneurial artist, the era of ‘getting your bag.’ We have gone full simulacra; popular artists now aren’t even artists; they are just ornaments and decorations on the product.

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Pig Slop, Culture Industry, CMNS, Technopoly Alan Röpke Pig Slop, Culture Industry, CMNS, Technopoly Alan Röpke

Modern Mimicries of Creativity

The consequence of our contemporary era’s understanding of the utilization of creativity is a desire for control over the emotional/material conditions of life that leaves a wallowing want for more. Contemporary mimicries of creativity are realized as an unauratic, surface-level embodiment of segments of meaning that lost their genuineness long ago—appearing, but like lensless spectacles.

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CMNS, Culture Industry, Pig Slop, Technopoly Alan Röpke CMNS, Culture Industry, Pig Slop, Technopoly Alan Röpke

Oh How I Need My Headphones

Headphones render life itself into silence. You experience a deep sensorial and emotional inner life, but you withhold that, determining that this is a gift for yourself, allowing it to ring through your head as your ears follow suit. And when you’re forced to go out into the world without your trusty earsidekick—you struggle to rekindle what life used to sound like. An alien in your own commute.

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